Alternatiivne häälestamine

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Alternatiivne häälestamine

Postby scum » 13 Mar 2010, 22:11

Kuidas oleks võimalik kitarri mitte "tavaliselt" häälestada? Olen kuulnud igasugustest drop c jne häälestustest, aga need vist ei muuda ikka seda heli niipalju. Näiteks Sonic Youthi vennad kasutasid neid alternatiivseid häälestusi, aga tahaks teada kuidas see häälestus käib täpselt.

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Uku
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Re: Alternatiivne häälestamine

Postby Uku » 14 Mar 2010, 05:30

Siin on mõned häälestused, mida võid proovida.

E♭/ D# tuning - E♭-A♭-D♭-G♭-B♭-E♭/ D#-G#-C#-F#-A#-D#
Half a step down from standard tuning.
D tuning - D-G-C-F-A-D
One full step down from standard tuning.
D♭/ C# tuning - D♭-G♭-B-E-A♭-D♭/ C#-F#-B#-E#-G#-C#
One and a half steps down.
C tuning - C-F-B♭-E♭-G-C / C-F-A#-D#-G-C
Two full steps down from normal tuning
B tuning - B-E-A-D-G♭-B / B-E-A-D-F#-B
Two and a half steps down from standard tuning.
B♭/ A# tuning - B♭-E♭-A♭-D♭-F-B♭/ A#-D#-G#-C#-E#-A#
Three full steps from standard tuning
A tuning - A-D-G-C-E-A
Three and a half steps down from standard tuning.
A♭/ G# tuning - A♭-D♭-G♭-B-E♭-A♭/ G#-C#-F#-B#-D#-G#
Four full steps down from standard tuning.
G tuning - G-C-F-B♭-D-G / G-C-F-A#-D-G
Four and a half steps down from standard tuning.
G♭/ F# tuning - G♭-B-E-A-D♭-G♭/ F#-B-E-A-C#-F#
Five full steps from standard tuning.
F tuning - F-B♭-E♭-A♭-C-F / F-A#-D#-G#-C-F
Five and one half steps down from standard tuning.
Octave Tuning - E-A-D-G-B-E
Six full steps (one octave) down from standard tuning. Essentially the same as standard tuning for a bass guitar.
Tunings as low as A tuning may be practiced on an unmodified instrument, although a baritone guitar is better-suited to avoid warping, as its neck and truss rod are designed for their tension. F and octave tuning are impractical for the standard guitar, since its scale is too short for a clear sound and unmodified tuners are not built to admit bass guitar gauge strings.
[edit]Higher tunings
From standard EADGBE, all the strings are tuned up by the same degree of one semitone. String tension will be higher. Typically requires thinner gauge strings, particularly the first string which could be as thin as six hundredths of an inch (about the thickness of a single human hair).
F tuning - F-B♭-E♭-A♭-C-F / F-C#-D#-G#-C-F
Half a step up from standard tuning.
G♭/ F# tuning - G♭-B-E-A-D♭-G♭/ F#-B-E-A-C#-F#
One full step up from standard.
G tuning also known as Terz tuning (sometimes spelled "Tierce", "Third", or "Tertz", all of which are acceptable) - G-C-F-B♭-D-G / G-C-F-A#-D-G
One and one half steps up from standard.
A♭/ G# tuning - A♭-D♭-G♭-B-E♭-A♭/ G#-C#-F#-B-D#-G#
Two full steps up from standard.
A tuning - A-D-G-C-E-A
Two and one half steps up from standard.
B♭/ A# tuning - B♭-E♭-A♭-D♭-F-B♭/ A#-D#-G#-C#-F-A#
Three full steps up from standard.
B tuning - B-E-A-D-G♭-B / B-E-A-D-F#-B
Three and one half steps up from standard.
[edit]Dropped tunings
These tunings have the 6th string tuned one full step below the other strings. Some of these may require a baritone guitar due to the extremely low notes. Others can be achieved using a capo and/or a partial capo.
Drop D - D-A-D-G-B-E
Standard tuning but with the 6th string dropped one full step.
Drop D♭/ Drop C# - D♭-A♭-D♭-G♭-B♭-E♭/ C#-G#-C#-F#-A#-D#
Same as Drop D, but every string is dropped one half step.
Drop C - C-G-C-F-A-D
One full step down from Drop D.
Drop B - B-G♭-B-E-A♭-D♭/ B-F#-B-E-G#-C#
One and one half steps down from Drop D.
Drop B♭/ Drop A# - B♭-F-B♭-E♭-G-C / A#-F-A#-D#-G-C
Two full steps down from Drop D.
Drop A - A-E-A-D-G♭-B / A-E-A-D-F#-B
Two and one half steps down from Drop D.
Drop A♭/ Drop G# - A♭-E♭-A♭-D♭-F-B♭/ G#-D#-G#-C#-F-A#
Three full steps down from Drop D.
Drop G - G-D-G-C-E-A
Three and one half steps down from Drop D.
Drop G♭/ Drop F# - G♭-D♭-G♭-B-E♭-A♭/ F#-C#-F#-B-D#-G#
Four full steps down from Drop D, or two full steps up from Drop D1.
Drop F - F-C-F-B♭-D-G / F-C-F-C#-D-G
Four and one half steps down from Drop D, or one and a half steps up from Drop D1.
Drop E - E-B-E-A-D♭-G♭/ E-B-E-A-C#-F#
Five full steps down from Drop D, or one full step up from Drop D1.
Drop E♭/ Drop D# - E♭-B♭-E♭-A♭-C-F / D#-A#-D#-G#-C-F
Five and one half steps down from Drop D, or one half step up from Drop D1.
Drop D1 Tuning - D-A-D-G-B-E
Six full steps (one octave) down from Drop D.
[edit]Double-dropped tunings
Similar to the dropped tunings, except that both the 1st and 6th strings are dropped one full step.
Drop D - D-A-D-G-B-D
Standard tuning but with the 1st and 6th string sdropped one full step.
Drop D♭/ Drop C# - D♭-A♭-D♭-G♭-B♭-D♭/ C#-G#-C#-F#-A#-C#
Same as Drop D, but every string is dropped one half step.
Drop C - C-G-C-F-A-C
One full step down from Drop D.
Drop B - B-G♭-B-E-A♭-B/ B-F#-B-E-G#-B
One and one half steps down from Drop D.
Drop B♭/ Drop A# - B♭-F-B♭-E♭-G-B♭ / A#-F-A#-D#-G-A#
Two full steps down from Drop D.
Drop A - A-E-A-D-G♭-A / A-E-A-D-F#-A
Two and one half steps down from Drop D.
Drop A♭/ Drop G# - A♭-E♭-A♭-D♭-F-A♭/ G#-D#-G#-C#-F-G#
Three full steps down from Drop D.
Drop G - G-D-G-C-E-G
Three and one half steps down from Drop D.
Drop G♭/ Drop F# - G♭-D♭-G♭-B-E♭-G♭/ F#-C#-F#-B-D#-F#
Four full steps down from Drop D, or two full steps up from Drop D1.
Drop F - F-C-F-B♭-D-F / F-C-F-C#-D-F
Four and one half steps down from Drop D, or one and a half steps up from Drop D1.
Drop E - E-B-E-A-D♭-E/ E-B-E-A-C#-E
Five full steps down from Drop D, or one full step up from Drop D1.
Drop E♭/ Drop D# - E♭-B♭-E♭-A♭-C-E♭ / D#-A#-D#-G#-C-D#
Five and one half steps down from Drop D, or one half step up from Drop D1.
Drop D1 Tuning - D-A-D-G-B-D
Six full steps (one octave) down from Drop D.
[edit]Five-string tunings
Though five-string guitars are generally rare, a five-string tuning may be necessary in a pinch when a string breaks on a standard six-string (usually the upper E) and no replacement is immediately available.
Some basic five-string tunings include:
Standard - E-A-D-G-B
The standard tuning, without the top E string attached. Alternate variants are easy from this tuning, but because several chords inherently omit the lower string, it may leave some chords relatively thin or incomplete with the top string missing (D, for instance, has no 3rd note).
Baritone - E-A-D-F♯-B
In this tuning, the fourth (G) string is lowered a half-step, thus recreating the intervals between the top five strings, lowered a perfect fourth. Though chords can easily and more fully be played from this tuning, it sometimes results in awkward inversions, a relatively minor problem if the five-string is played in an ensemble with a bass guitar.
Drop-D Baritone - D-A-D-F♯-B
A combination of a drop-D tuning with the baritone tuning.
Open G tuning - G-D-G-B-D
Some slide/bottleneck guitarists omit the bottom E string when playing in open G, in order to have the Root note as the tonic.
[edit]Seven-string tunings
Standard Tuning - B-E-A-D-G-B-E
Standard seven-string tuning.
B♭/ A# tuning - B♭-E♭-A♭-D♭-G♭-B♭-E♭/ A#-D#-G#-C#-F#-A#-D#
Half a step down from standard.
A tuning - A-D-G-C-F-A-D
A full step down from standard.
A♭/ G# tuning - A♭-D♭-G♭-B-E-A♭-D♭/ G#-C#-F#-B-E-G#-C#
One and one half steps down from standard.
G tuning - G-C-F-B♭-E♭-G-C / G-C-F-A#-D#-G-C
Two full steps down from standard tuning.
G♭/ F# tuning - G♭-B-E-A-D-G♭-B / F#-B-E-A-D-F#-B
Two and one half steps down from standard.
F tuning - F-B♭-E♭-A♭-D♭-F-B♭/ F-A#-D#-G#-C#-F-A#
Three full steps down from standard.
E tuning - E-A-D-G-C-E-A
Three and one half steps down from standard.
E♭/ D# tuning - E♭-A♭-D♭-G♭-B-E♭-A♭/ D#-G#-C#-F#-B-D#-G#
Four full steps down from standard.
D tuning - D-G-C-F-B♭-D-G / D-G-C-F-A#-D-G
Four and one half steps down from standard.
D♭/C# tuning - D♭-G♭-B-E-A-D♭-G♭/ C#-F#-B-E-A-C#-F#
Five full steps down from standard.
C tuning - C-F-B♭-E♭-A♭-C-F / C-F-A#-D#-G#-C-F
Five and one half steps down from standard.
Octave Tuning - B-E-A-D-G-B-E
Six full steps (one octave) down from standard tuning.
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Kirveraidur
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Re: Alternatiivne häälestamine

Postby Kirveraidur » 14 Mar 2010, 21:27

Minu peamine häälestus on - alguses hakkasin slaidiga mängimiseks kasutama aga nüüd mängin selles kõike. on samuti äge - tundub selliseks sooloslaidimiseks mõnus. Teistega väga kogemust pole, olen vaid katsetanud ja pole suuremat sidet saavutanud - DADGAD, drop-D nt.

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Re: Alternatiivne häälestamine

Postby scum » 14 Mar 2010, 22:04

Misasi ja D♭?
Ja kui õpetab et: "Tune up the 3:rd string a half step to G#, compare with the 4:th fret on the 1:st string" siis tähendab see et häälesta 3. keel nagu g# aga misasi see g# on?

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Re: Alternatiivne häälestamine

Postby Tegelane » 14 Mar 2010, 22:11

g# on g noot pool tooni kõrgendatud

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Re: Alternatiivne häälestamine

Postby scum » 14 Mar 2010, 22:41

Kust ma teada saaks kuidas kõlab noot g ja kuidas seda pool tooni kõrgemale saada?

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Re: Alternatiivne häälestamine

Postby tykonu » 14 Mar 2010, 22:51


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Re: Alternatiivne häälestamine

Postby Tegelane » 14 Mar 2010, 23:09


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Re: Alternatiivne häälestamine

Postby ErkoP » 14 Mar 2010, 23:13

Juhul kui kitarr on hääles ja standard häälestuses.
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Re: Alternatiivne häälestamine

Postby Tegelane » 14 Mar 2010, 23:23

just

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Re: Alternatiivne häälestamine

Postby scum » 14 Mar 2010, 23:40

Ehk kui tahan D häälestust(D-G-C-F-A-D), siis pean häälestama igat keelt nii, et hoian 10. fretti all?

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Re: Alternatiivne häälestamine

Postby Faded » 15 Mar 2010, 00:19

Ei, häälestad lahtisi keeli ikka.
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Re: Alternatiivne häälestamine

Postby madonna » 15 Mar 2010, 07:11

http://www.brendanburns.com/Lessons/pdf ... ifnote.gif

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Re: Alternatiivne häälestamine

Postby scum » 15 Mar 2010, 17:33

Sellel lehel on ka ju näidatud, et 10. fretittide peal on need d-g-c-f-a-d. Kuidas ma siis D häälestusse kitarri saan?

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Re: Alternatiivne häälestamine

Postby ErkoP » 15 Mar 2010, 17:46

1) Võtad kitarri.
2) Võtad häälestaja.
3) Lased ülesmist E keelt lõdvemaks kuni häälestaja ütleb et see on D.
4)kordad punkti 3 kõikide keeltega.
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